GIACONDA!

THE SCRIPT       




ACT ONE              |                ACT TWO



The Script


ACT One  - Prologue


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         #1              OVERTURE                                                  ORCHESTRA

 

 

<PROJECTION ON CURTAIN:   FLORENCE 1473>

 

 

 

Piazza della Signoria, outside the Pallazo Vecchio.            

Florence 1473  

 

 

It is a splendid afternoon in August, the day of the Regatta del Palio, on the Arno. A public holiday. The Piazza is gaily decorated for the festivities. Steps lead up to the doors of the Pallazo.

 

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The stage is filled with HOLIDAY-MAKERS,  MONKS,  SAILORS,  SHIPWRIGHTS,  MASQUERS, laughing and talking.

Amidst the busy crowd we see BASTIANO,  watching the people with the keenness that befits a state spy.

 

 

 

         #2              HOLIDAY!                CHORUS                            PLAY MUSIC   

 

 

 

 

         #3              FANFARE         ORCHESTRA

 

 

 

                      

                       ANNOUNCER

Signori! Signorini!. The next event is the one we have all been waiting for – the Medici Trophy. This year’s challenger is Rudolfo and his crew from Pisa, against the champion, your own... Zuane!

 

(CROWD cheers)

 

                       ANNOUNCER

Please make your way down to the river!

 

(The CROWD dash away to watch the regatta.

BASTIANO comes forward)

 

                       BASTIANO    

Fools look at them. All this fuss over a boat race. Still, it keeps them in their place I suppose. If the people are happy life is easier for a state spy like me.

 

(ARAGONA enters with her blind old mother GIOVANNA on her arm. They are in lighthearted conversation)

 

                       BASTIANO    

Hello... look who’s coming. This could be my lucky day

 

(ARAGONA sees Bastiano and stops)

 

                       GIOVANNA

Why have you stopped my daughter, is something wrong?

 

                       ARAGONA

No no Mama. I’ve just seen an old friend that’s all. Here, you rest on the steps while I have a word.

 

                       BASTIANO

Aragona, what a pleasant surprise. I get the impression you’ve been keeping well out of my way. Is it something I said or something I did?

 

(BASTIANO takes hold of Aragona and pulls her to him)

 

                       ARAGONA

Let go of me Bastiano. I’m not one of your ladies of the night.

 

                       BASTIANO

Come off it. You know you want me, why do you tease me so.

 

(ARAGONA breaks away)

 

                       ARAGONA

I don’t tease and I don’t want you! How many times must I tell you.

 

                       BASTIANO

Well I want you and I’m used to getting what I want in this City. I can make a lot of trouble for you Aragona. What would your ‘poor old mother’ do then, eh.

 

(BASTIANO takes Aragona’s arm and tries to kiss her. She scratches his face)

 

                       BASTIANO

Puttana!(Bitch)

 

                       GIOVANNA

Is everything all right Aragona?

 

                       ARAGONA

Yes mother, just a bit of fun.

 

(ARAGONA goes back to her mother. The CROWD return muttering. ZUANE is talking to his crewman)

 

                       ZUANE

I don’t understand it. I‘ve never experienced anything like that before.

 

                       BASTIANO

What happened?

 

                       ZUANE

We lost!

 

                       BASTIANO

(Cynically)

You lost!  Zuane the great champion lost?

 

                       ZUANE

We were leading coming round the last bend when suddenly we slowed down – but they didn’t. I can’t explain it.

 

                       BASTIANO

Well it’s obvious isn’t it.

 

                       ZUANE

Obvious?

 

                       BASTIANO

Yes. It must have been witchcraft. You were cursed!

 

(The CROWD react muttering agreement. The idea quickly spreads among the defeated boatman’s friends, who gather round)

 

 

                       ZUANE

What makes you say that? Who would practice such sorcery against us?

 

                       BASTIANO

See the old woman over there, the one who looks... well, looks like a witch... I know that family, they’re nothing but trouble. And, I believe the daughter there is Rudolfo’s lover!

 

(The BOATMEN react)

 

                       BASTIANO

I swear I heard them plotting against you. You never stood a chance.

 

                       ZUANE

Of course, that explains it. WE WERE CURSED!
IT’S WITCHCRAFT....!   and there’s the witch...

 

(The CROWD becomes excited and rush over to Aragona and Giovanna, chanting)

 

                       CROWD

WITCH! WITCH! WITCH! WITCH!

 

                       ARAGONA

No! No! Leave her alone she’s just a blind old lady.

 

(ARAGONA tries to protect her mother but the CROWD seize Giovanna and drag her from the Pallazo steps)

 

                       CROWD #1    

Take her to the river.

 

                       CROWD #2    

To the river.

 

(LUCREZIA DEL CACCIA, who is known and respected locally, climbs the steps)

 

                       LUCREZIA

WAIT!  WAIT!  LISTEN TO ME.

 

(The CROWD stop)

 

                       LUCREZIA

You all know who I am, and I promise you this lady is no witch. She is Giovanna Farnese – there isn’t a more God-fearing family in the whole of Florence!

 

                       CROWD#1

She cursed Zuane’s boat.

                 
(The crowd grow restless again)

(At the moment of greatest commotion the Pallazo doors swing open. At the head of the steps stands LORENZO DI MEDICI, ruler of the Florentine state, his wife, CLARICE, and two GUARDS)

 

                       LORENZO

STOP THIS....  STOP THIS AT ONCE, OR I’LL HAVE YOU ALL ARRESTED FOR RIOTING. GUARDS!

 

(LORENZO gestures and the GUARDS move to protect Giovanna)

 

                       CROWD #1

It’s witchcraft! She’s a witch.

 

                       CROWD #2

Put her in the river, then we’ll see!

 

                       LORENZO

SILENCE! A witch? That’s a serious charge.

 

(ARAGONA runs forward and kneels before Lorenzo)

 

                       ARAGONA

(Tearful) 

I beg you Signor. This is my dear mother Giovanna Farnese.  She cannot see! She is no witch...

 

                       CLARICE

Lucrezia. Can you speak for this woman?

 

                       LUCREZIA

Yes I can. The Farnese are good people. There is no evidence.

 

                       LORENZO

Then who accuses this poor woman

 

                       CROWD  

Zuane. It was Zuane...

 

                       ZUANE

No! NO! It wasn’t me. It was Bastiano. He said he heard them put a curse on my boat.

 

(BASTIANO furtively tries to leave. The CROWD hold him)

 

                       LORENZO

Bastiano! I might have known it. Guard! Arrest him.

 

(The GUARDS grab Bastiano)

 

                       BASTIANO

Get your hands off me - I’m the Grand Inquisitor! It’s not true  

(Points at Zuane)

 - he lies!

 

                       BOATMAN 

Zuane is telling the truth. We all heard him accuse the old woman.

 

(The CROWD murmur agreement)

 

                       ARAGONA

He threatened revenge because I refused him. He’s an evil man.

 

                       LORENZO

He is indeed. Bastiano you’ve gone too far this time. I shall see to it that you are sent to the Bargello, and when you get out don’t ever think about coming back to Florence. You’ll be arrested on sight. Take him away.

 

                       BASTIANO

(Shouts back)

Oh-Ohhh.. you’ll pay for this Aragona Farnese. I WILL HAVE MY REVENGE ON YOU!

 

(The GUARDS take him away.  The CROWD disperse. ARAGONA comforts her mother. They are left alone with Lucrezia)

 

                       ARAGONA

Signorina. You saved my mother’s life. You know my family but I don’t even know your name. How can we ever repay your kindness.

 

                       LUCREZIA

Please, I only did what any good citizen would do. It’s Lucrezia, del Caccia, and I knew your brother Pier Luigi.

 

(GIOVANNA whispers to Aragona.

ARAGONA takes off her necklace and hands it to Giovanna. It is a Cornicello – a pendant made of gold and red coral.

GIOVANNA extends her hands out to Lucrezia in blessing)

 

                            GIOVANNA

My child. This Cornicello has been passed from mother to daughter in our family for many generations. But you shall have it now. It is a small reward for the goodness you have shown.

 

                            LUCREZIA

But I can’t possibly take it, it belongs in your family.

 

                            GIOVANNA

Yes, you must. Tradition says that a Cornicello passed from mother to daughter will protect her from the evil eye. When you have a daughter of your own you must pass it on and it will keep her from harm.

 

                            ARAGONA

It is the least we can do. I vow one day that your kindness will be repaid. May God bless you.

 

(ARAGONA  and GIOVANNA exit)

(LUCREZIA stares at the Cornicello)

(LUCREZIA  slowly exits)

 

 

        (SFX CUE: <A BELL TOLLS OVER SCENE CHANGE>)

 

(The CROWD return across front of stage, on their way home, they are followed by

MONKS chanting)

 

 

 

         #4  TE DEUM LAUDAMUS                 Chorus                                   PLAY MUSIC

 

 

CURTAIN

 

 

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